Museum Review: A Future Woven in Rayon

Torviscosa. VideoEngineering - Gorizia, 2005.

The Museo Territoriale Bassa Friulana showcases the history of rayon production by Italian textile manufacturer SNIA Viscosa and the impact the SNIA factory had on local community life. VideoEngineering - Gorizia, 2005.

Museo Territoriale Bassa Friulana
Piazzale Marinotti 1
33050 Torviscosa (UD)
+39 431 381363
www.museocid.it

In 1937 Italian textile manufacturer SNIA Viscosa began construction of Torviscosa, a planned company town in Italy’s northeastern Friuli region. Here one of its factories made rayon (viscosa) from cellulose obtained from the Arundo donax cane plant. Located an hour and a half from Venice and surrounded by formerly marshy land drained and planted with the cane, Torviscosa was inaugurated in 1938 by Benito Mussolini as a pillar of Italian economic autarchy and rational social planning. Today, its rich history is preserved in the Museo Territoriale Bassa Friulana.

Torviscosa is little changed from the original vision of architect Giuseppe De Min, except for the 1961 complex containing the museum, dominated by an observation tower that looms over the town. The surrounding buildings are red brick, built in the Fascist-Modernist style, and the streets are strewn with monumental statuary. Employee housing is bundled with an array of communal spaces (theater, refectory, swimming pool, sports facilities, and a main piazza) on one side of town, while the other side hosts the factory, dominated by a pair of round, 200-foot chemical-conversion towers. One originally took the form of the fasces symbol, with a telltale axe-blade flourish that was later removed.

The town’s ideological significance, which SNIA chief Franco Marinotti vigorously cultivated, led to decades of lavish documentation and thus to a wealth of material for the museum, particularly photographs and film. Ambitious in its use of multimedia technology, the Museo Territoriale is a multilayered experience in historical consciousness, itself an artifact of the self-celebrating impulse that characterizes Torviscosa’s origins. Although the museum presents itself as documenting the history of the immediate region, and not just SNIA, the physical and social transformations wrought by the factory understandably overwhelm the resulting narrative. Even the Roman artifacts on display were unearthed only by the building of the new town.

While one exhibit surveys the industrial processes employed at Torviscosa over the decades, the museum’s broader focus centers on the town’s planning and construction, and its existence as a community. There is minimal space devoted to the original rayon product, which was itself part of a vision of improved modern living through technology. This point is well illustrated, though, by a 1949 short film on exhibit shot by Michelangelo Antonioni, Seven Reeds, One Suit, playing at the museum. The 10-minute publicity documentary begins in the cane fields and ends at a fashion show where models pose in rayon evening gowns.